One of my favorite frog sculptures at Ed and Betty Ann Spar's garden |
I have a few regrets: one is that I never took enough pictures in my mentor's garden in Boulder. T. Paul Maslin passed away in 1984 and for fifteen years before that was my closest friend and garden guru. He was also a herpetologist by training, and though much of his work was based on lizards and snakes, he had a great fondness for amphibians--especially frogs. And he had many sculptures of them in his garden: none of which I ever photographed. Worse still was that I never asked Mary (his wife) for one as a memento before she passed away decades later. Perhaps that's why I've noticed frog sculptures in so many gardens I visit--and I began to photograph them thinking there may be an opportunity to share. I think that time has come...although I've lost track of where I photographed some of them!
This frog poised in a niche at Sam Hitt's garden in Santa Fe,(which I've blogged about before) |
Many of Ed's frogs seem especially mellow and relaxed... |
I like this sleek one. |
I think these could double as vases for flowers... |
Slightly more stylized |
More potential vases here... |
A photograph taken by Jeff Wagner, a friend of mine of Kim Kori's sculpture "The Kiss" which is at Tlaquepaque Arts and Crafts--a pretty elaborate sculpture in this genre! |
A frog featured in a friend's garden in Pueblo, Colorado |
Another Pueblo amphibian: I suspect warm places like Pueblo and Tucson like the idea of these moisture loving creatures! | a |
At Stonecrop garden in Cold Spring, NY, Jan found this life sized frog and tested the fairy tale... |
Presto! This may explain my affinity for frogs! |
Do take a moment to savor Moore's lovely poem which reveals something about poetry, and a little about frogs and gardens to boot!
Poetry
Marianne Moore - 1887-1972
I too, dislike it: there are things
that are important beyond
all this fiddle.
Reading it, however, with a perfect contempt for it, one
discovers that there is in
it after all, a place for the genuine.
Hands that can grasp, eyes
that can dilate, hair that can rise
if it must, these things are
important not because a
high-sounding interpretation can be
put upon them but because
they are
useful; when they become so derivative as to become
unintelligible, the
same thing may be said for all of us—that we
do not admire what
we cannot understand. The bat,
holding on upside down or in
quest of something to
eat, elephants pushing, a wild horse
taking a roll, a tireless
wolf under
a tree, the immovable critic twinkling his skin like a horse
that feels a flea, the base-
ball fan, the statistician—case after case
could be cited did
one wish it; nor is it valid
to discriminate against
“business documents and
school-books”; all these phenomena
are important. One must
make a distinction
however: when dragged into prominence by half poets,
the result is not poetry,
nor till the autocrats among us can be
“literalists of
the imagination”—above
insolence and triviality and
can present
for inspection, imaginary gardens
with real toads in them,
shall we have
it. In the meantime, if you demand on the one hand, in
defiance of their opinion—
the raw material of poetry in
all its rawness, and
that which is on the other hand,
genuine, then you are
interested in poetry.
Wonderful collection of frog art. I'm a fan.
ReplyDeleteI do love the first photo of the two on the bench and the last one of the two of you.
ReplyDelete